
Library catalogs were not originally designed to categorize by author characteristics such as race and ethnicity, or gender identity and sexuality, so what seems like a simple ask is....complicated.
Let us help you identify BIPOC playwrights by the various resources listed here!
Contemporary Plays by African American Women
by
Sandra Adell (Editor)
African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation. Selections: Blue Door , by Tanya Barfield; Levee James , by S. M. Shephard-Massat; Hoodoo Love , by Katori Hall; Carnaval , by Nikkole Salter; Single Black Female , by Lisa B. Thompson; Fabulation, or The Re-Education of Undine , by Lynn Nottage; BlackTop Sky , by Christina Anderson; Voyeurs de Venus , by Lydia Diamond; Fedra , by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition , by Keli Garrett.
Hoodoo Love
by
Katori Hall
THE STORY: A tale of love, magic, jealousy and secrets. Toulou escapes from the Mississippi cotton fields in the 1930s to pursue her dream of singing the blues in Memphis. When she meets a rambling blues man, the notorious Ace of Spades, her dreams
Lost Plays of the Harlem Renaissance, 1920-1940
by
James V. Hatch (Editor); Leo Hamalian (Editor)
This compilation of sixteen plays written during the Harlem Renaissance brings together for the first time the works of Langston Hughes, George S. Schuyler, Francis Hall Johnson, Shirley Graham, and others. In the introduction, James V. Hatch sets the plays in a historical context as he describes the challenges presented to artists by the political and social climate of the time. The topics of the plays cover the realm of the human experience in styles as wide-ranging as poetry, farce, comedy, tragedy, social realism, and romance. Individual introductions to each play provide essential biographical background on the playwrights. In the continuing rediscovery of writers and works from the Harlem Renaissance, Lost Plays of the Harlem Renaissance 1920-1940 serves as essential background for contemporary readers and is a valuable contribution to African American literary and theatrical scholarship.
