his fascinating new book explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? Issues of identity, modernity, and gender are considered within a cultural and historical context.
Movie buffs and film scholars alike often overlook the importance of makeup artists, hair stylists, and costumers. With precious few but notable exceptions, creative workers in these fields have received little public recognition, even when their artistry goes on to inspire worldwide fashion trends. From the acclaimed Behind the Silver Screen series, Costume, Makeup, and Hair charts the development of these three crafts in the American film industry from the 1890s to the present. Each chapter examines a different era in film history, revealing how the arts of cinematic costume, makeup, and hair, have continually adapted to new conditions, making the transitions from stage to screen, from monochrome to color, and from analog to digital. Together, the book's contributors give us a remarkable glimpse into how these crafts foster creative collaboration and improvisation, often fashioning striking looks and ingenious effects out of limited materials. Costume, Makeup, and Hair not only considers these crafts in relation to a wide range of film genres, from sci-fi spectacles to period dramas, but also examines the role they have played in the larger marketplace for fashion and beauty products. Drawing on rare archival materials and lavish color illustrations, this volume provides readers with both a groundbreaking history of film industry labor and an appreciation of cinematic costume, makeup, and hairstyling as distinct art forms.
While there are costume and fashion dictionaries tied to specific countries or periods, none have been comprehensive. In The Complete Costume Dictionary, Elizabeth Lewandowski has collected from a variety of sources--including costume history texts, journal articles, historical publications, autobiographies, biographies, foreign language dictionaries, and contemporary publications--to create a resource that spans the globe, from the earliest record of fashion to the 21st century. Including more than 20,000 fashion and costume terms, this volume also features more than 300 illustrations. The first section of the book is an alphabetical listing of these words with their definitions, period, and country of origin. This volume also contains appendixes that list the terms by country of origin, period, and type of clothing. The book is not limited to the Western World and includes both archaic and current terms. Significantly greater in scope than anything currently available--online or in print--this one-of-a-kind publication is an invaluable resource for costume and fashion historians, textile preservationists, period re-enactors, and history and theatre scholars, as well as theatre professionals.
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